Cinema
Nino (15)
Dir. Pauline Loques, 2026 Runtime: 97 mins Language: French, w/ English Subtitles Nino, a young man, explores the streets of Paris to reconnect with the world and himself, after being diagnosed with cancer. Screening Friday 17 July, 7.20pm Saturday 18 July, 4.10pm Sunday 19 July, 12.40pm
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Strictly Ballroom (4K Restoration) (12A)
Dir. Baz Luhrmann, 2026 Runtime: 94 mins Language: Now in dazzling 4K for the first time, Baz Luhrmann's iconic debut feature follows Scott Hastings (Paul Mercurio), a male dancer who refuses to follow the accepted rules of ballroom dancing and creates his own style of choreography, infuriating the ballroom dancing establishment. Before he's scheduled to compete in the championships, he's forced to take up a new partner (Tara Morice), a beginner who initially seems without promise. With his help, she turns into an assured and wonderful dancer. Part mockumentary, part fairytale, Strictly Ballroom is one of the most popular Australian films ever made and kicks off Luhrmann's incredible ""Red Curtain Trilogy"". Screening Saturday 18 July, 2.00pm Tuesday 21 July, 7.00pm
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Familiar Touch (12A)
Dir. Sarah Friedland, 2026 Runtime: 92 mins Language: English An octogenarian woman transitions to life in assisted living as she contends with her conflicting relationship to herself and her caregivers amidst her shifting memory, age identity, and desires. Screening Sunday 26 July, 1.00pm Tuesday 28 July, 7.00pm Thursday 30 July, 3.10pm
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Disclosure Day (12A)
Dir. Steven Spielberg, 2026 Runtime: 145 mins Language: English If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? The truth belongs to seven billion people. We are coming close to … Disclosure Day. Screening Saturday 18 July, 6.30pm Sunday 19 July, 2.50pm Thursday 23 July, 2.50pm
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The Invite (15)
Dir. Olivia Wilde, 2026 Runtime: 107 mins Language: English A couple invites the neighbours over for cocktails, igniting an evening full of unexpected twists and turns, revealing deeply repressed emotions and unexplored sexuality. Screening Friday 31 July, 7.15pm Saturday 1 August, 4.30pm Sunday 2 August, 12.40pm Tuesday 4 August, 5.00pm Friday 7 August, 2.00pm Saturday 8 August, 4.10pm Sunday 9 August, 1.00pm
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Cactus Pears (15)
Dir. Rohan Parashuram Kanawade, 2026 Runtime: 113 mins Language: Marathi, w/English Subtitles Anand, a 30-something city dweller compelled to spend a 10-day mourning period for his father in the rugged countryside of western India, tenderly bonds with a local farmer struggling to stay unmarried. Screening Friday 24 July, 7.00pm Saturday 25 July, 4.30pm Tuesday 28 July, 4.30pm
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The Fall Of Sir Douglas Weatherford (12A)
Dir. Sean Dunn, 2026 Runtime: 95 mins Language: English Kenneth works as a tour guide dressing up as the town’s most notable historical figure, Sir Douglas Weatherford, who Kenneth proudly claims as his ancestor. When the village becomes the base of a big-budget fantasy TV show, his obsession with the show’s lead actor fuels a tragic downward spiral. Screening Tuesday 14 July, 4.30pm Friday 17 July, 10.30am (Silver Screenings) Friday 17 July, 5.00pm
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Exhibition On Screen: James McNeill Whistler
Runtime: 90 mins In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet. Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake” and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies" and "nocturnes", emphasizing the importance of tonal harmony in his work. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art. Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed. Screening Tuesday 15 September, 7.00pm Thursday 17 September, 2.00pm Saturday 19 September, 7.00pm
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RB&O: Così fan Tutte (Opera) – Encore
Dir. Netia Jones Runtime: 210 mins Language: Italian Spurred on by a bet, two young men hatch a plan to test the fidelity of their girlfriends. What follows is a slippery game of seduction and power, the four lovers plunging into a dizzying world of shifting reality, where truth becomes increasingly unstable. Così fan tutte has lost none of its sting since it first scandalised audiences in 1790. In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera. Screening Sunday 28 February, 2.00pm
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RB&O: Carmen (Opera) – Encore
Runtime: 215mins Language: French Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds. Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera. An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score. Screening Sunday 15 November, 2.00pm
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RB&O: Alice’s Adventures in Wonderland (Ballet) – Encore
Runtime: 170mins At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole, events become curiouser and curiouser…As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design. Screening Sunday 28 March, 2.00pm
