Euan Uglow (1932 – 2000) was one of Britain’s most significant 20th century painters, known for his sustained observation and painstaking technique, often taking months, if not years, to complete a work. Each picture pursues a particular idea, seeking to depict the visual reality of the concept, expressed with radiant colours and light. Uglow often had three or four active ‘set-ups’ in his Battersea studio, using particular rectangular compositions in an attempt ‘to paint a structured painting full of controlled and therefore potent emotion’. Almost mathematical in his methods, Uglow left markings on his canvases that reveal his processes, including how the passage of time affected the depiction of his subjects. Best known for his large-scale nudes, Uglow also made landscapes in the summer light of the Mediterranean and still lifes, taking up the challenge of painting materials such as plastic, as well as organic material in gradual decay, such as fruit.

Curated by Catherine Lampert, this will be the first solo exhibition of Uglow’s work in a UK public institution for 20 years. Featuring over 30 of his most ambitious paintings, as well as drawings and examples of work by his artistic influences, Paul Cézanne, Alberto Giacometti and his former tutors William Coldstream, Victor Pasmore and Claude Rogers.

This is the first UK public exhibition of Lartigue’s work for over 10 years. It focuses on an exceptional and little-known aspect of his work: until recently, the majority of his colour photographs had never been seen. The exhibition features more than 150 items including early stereoscopic images producing three-dimensional effects, vintage prints, unique works on paper, archival documents, lightboxes and projections. It also showcases Lartigue’s career from drawings made as a child in the 1900s to the fashion world of the 1960s and late abstractions of the 1980s.

Exhibition organized in collaboration with the Association des Amis de Jacques Henri Lartigue, Ministère de la Culture, France and diChroma photography.

This significant solo exhibition of the work of Laurence Stephen Lowry (1887 – 1976) marks the 50th anniversary of the painter’s death, and 16 years since his last significant institutional temporary exhibition Lowry and the Painting of Modern Life at Tate Britain. Lowry was a British painter, best known for his industrial landscapes of northwest England.

An extremely popular artist in Britain whose work outside the iconic industrial scenes remains little known. This exhibition aims to provide an overview of all his themes and subjects, from landscapes and seascapes to portraits and surreal imaginings. Lowry’s career ran alongside huge changes in British society which saw the workers, mills, terraced housing and urban landscapes he painted bombed, cleared and replaced. All these themes will be explored within the show.