Cinema

Deaf (12A)

Dir: Eva Libertad, 2025 Run time: 100 mins Angela's deafness raises concerns during her pregnancy regarding connecting with her daughter. Post-delivery, partner Héctor supports her as she learns to mother in a society lacking adequate accommodations for the hearing-impaired. Screenings: Friday 10 October, 10.30am (Milk & Baby) Saturday 11 October, 1.00pm Sunday 12 October, 10.30am (Relaxed Viewing) Tuesday 14 October, 2.00pm and 7pm Milk & Baby screenings are for guardians and babies under the age of 1 years old. An adult must be accompanied by a baby to attend. Each ticket also comes with a free tea or filter coffee available from the café. Supported by Milk & Beans, Milton Keynes’ first and only Specialty Coffee Roasters.

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On Swift Horses (15)

Dir: Daniel Minahan, 2025 Run time: 119 mins Muriel and her husband Lee are about to begin a bright new life, which is upended by the arrival of Lee's brother. Muriel embarks on a secret life, gambling on racehorses and discovering a love she never thought possible. Screenings: Friday 10 October, 2.00pm Friday 10 October, 7.00pm Saturday 11 October, 10.20am Tuesday 14 October, 10.30am (Silver Screenings) Wednesday 15 October, 2.00pm

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Honey Don’t! (15)

Dir: Ethan Coen, 2025 Run time: 89 mins Coen's new film continues his lesbian B-movie trilogy after Drive-Away Dolls, centring on two women on a road trip. Screenings: Friday 3 October, 2.00pm Saturday 4 October, 10.30am Tuesday 7 October, 2.00pm Wednesday 8 October, 10.30am (Silver Screenings)

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Caught Stealing (15)

Dir: Darren Aronofsky, 2025 Run time: 107 mins Hank Thompson (Austin Butler) was a high-school baseball phenom who can’t play anymore, but everything else is going okay. He’s got a great girl (Zoë Kravitz), tends bar at a New York dive, and his favorite team is making an underdog run at the pennant. When his punk-rock neighbor Russ (Matt Smith) asks him to take care of his cat for a few days, Hank suddenly finds himself caught in the middle of a motley crew of threatening gangsters. They all want a piece of him; the problem is he has no idea why. As Hank attempts to evade their ever-tightening grip, he’s got to use all his hustle to stay alive long enough to find out… Caught Stealing is directed by Academy Award® nominee Darren Aronofsky, screenplay by Charlie Huston, based on his book of the same name. The film stars Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Benito A Martínez Ocasio, and Carol Kane. Screenings: Saturday 27 September, 1.00pm Tuesday 30 September, 10.30am (Silver Screenings) Tuesday 30 September, 7.00pm Wednesday 1 October, 2.00pm

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The Life of Chuck (15)

Dir: Mike Flanagan, 2025 Run time: 111 mins A life-affirming, genre-bending story based on Stephen King's novella about three chapters in the life of an ordinary man named Charles Krantz. Screenings: Friday 12 September, 7.00pm Saturday 13 September, 4.30pm Tuesday 16 September, 1.30pm Wednesday 17 September, 2.00pm

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The Courageous (12A)

Dir: Jasmin Gordon, 2025 Run time: 83 mins In a society that doesn't give a damn about people like her, a rebellious mother of three risks everything to get a piece of paradise. Screenings: Friday 3 October, 4.30pm Saturday 4 October, 4.30pm Sunday 5 October, 10.30am (Relaxed Viewing) Tuesday 7 October, 7.00pm

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A Downton Abbey Afternoon Tea

From 2pm

*Film tickets must be purchased separately from the Afternoon Tea.

Book your film tickets here: Saturday 11 October, 3.30pm

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Downton Abbey: The Grand Finale (12)

2025 Runtime: 123 mins DOWNTON ABBEY: THE GRAND FINALE, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. As the beloved cast of characters navigates how to lead Downton Abbey into the future, they must embrace change and welcome a new chapter. Screening Friday 3 October, 10.30am Friday 3 October, 7.00pm Saturday 4 October, 2.00pm Tuesday 7 October, 10.30am (Silver Screenings) Tuesday 7 October, 4.30pm Wednesday 8 October, 2.00pm Sunday 12 October, 2.00pm Wednesday 15 October, 10.30am (Silver Screenings)   Saturday 11 October, 3.30pm + Optional afternoon tea [2pm]*

*Step back in time for an elegant afternoon inspired by Downton Abbey. Enjoy classic finger sandwiches, warm scones with clotted cream, and delicate pastries, all served alongside a warming loose leaf tea.

£24.95 - traditional afternoon tea (cinema ticket not included) £29.95 - sparkling afternoon tea – including a glass of prosecco (cinema ticket not included)

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2001: A Space Odyssey (U)

Dir: Stanley Kubrick, 1968 Run time: 134 mins After discovering a mysterious artefact buried beneath the Lunar surface, mankind sets off on a quest to find its origins with help from intelligent supercomputer H.A.L. 9000. Screenings: Sunday 28 September, 2.00pm

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Eddington (15)

Dir: Ari Aster, 2025 Run time: 149 mins In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbour is pitted against neighbour in Eddington, New Mexico. Screenings: Friday 12 September, 12.30pm Saturday 13 September, 7.00pm Sunday 14 September, 2.00pm Wednesday 17 September, 10.30am (Silver Screenings)

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Spinal Tap II: The End Continues (15)

Dir: Rob Reiner, 2025 Run time: 83 mins SPINAL TAP is back! After a 15-year hiatus, David St. Hubbins, Nigel Tufnel, and Derek Smalls are drawn back together for one last concert. Documentary filmmaker Marty DiBergi returns to explore what the band members have been up to and immortalize the concert reunion. The film blends the same musical mayhem and satire that made the original a cult classic and features some fantastic rock cameos in the process. Will this concert be their triumphant return, or just another Stonehenge-sized catastrophe? Screenings: Friday 10 October, 4.30pm Tuesday 14 October, 4.30pm  

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Battleship Potemkin (12A)

Dir: Sergei M. Eisenstein, 1925 [Re: 2025] Run time: 74 mins This is a special centenary edition of Sergei Eisenstein’s legendary Battleship Potemkin featuring the celebrated score by Pet Shop Boys.  A fixture in the critical canon almost since its premiere, Eisenstein’s film about a 1905 naval mutiny was revolutionary in both form and content. Battleship Potemkin is renowned for its dynamic compositional strength and editing of such frame-perfect precision that it’s hard not to be swept along. First revealed at a special outdoor screening in front of an estimated 25,000 in Trafalgar Square in 2004, Neil Tennant and Chris Lowe’s score, performed with the Dresdner Sinfoniker and orchestrated by Torsten Rasch, blends electronic beats with orchestral grandeur to create a contemporary cinematic experience.

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