Event Cinema
Exhibition On Screen: James McNeill Whistler
Runtime: 90 mins In an era of great change and great beauty emerged the character of James McNeill Whistler. Considered by some to be one of the great innovators of 19th century art, he was a contemporary of the Impressionists, much admired by Van Gogh and Manet. Boldly experimental and famously witty, Whistler disrupted the strict conventions of Victorian society in pursuit of a new cult of beauty, creating “art for art’s sake” and earning himself a place in the history of great art. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies" and "nocturnes", emphasizing the importance of tonal harmony in his work. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. It is arguably one of the most famous paintings in history and this film will unveil the artist behind the art. Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed. Screening Tuesday 15 September, 7.00pm Thursday 17 September, 2.00pm Saturday 19 September, 7.00pm
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RB&O: Così fan Tutte (Opera) – Encore
Dir. Netia Jones Runtime: 210 mins Language: Italian Spurred on by a bet, two young men hatch a plan to test the fidelity of their girlfriends. What follows is a slippery game of seduction and power, the four lovers plunging into a dizzying world of shifting reality, where truth becomes increasingly unstable. Così fan tutte has lost none of its sting since it first scandalised audiences in 1790. In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera. Screening Sunday 28 February, 2.00pm
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RB&O: Carmen (Opera) – Encore
Runtime: 215mins Language: French Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds. Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera. An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score. Screening Sunday 15 November, 2.00pm
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RB&O: Alice’s Adventures in Wonderland (Ballet) – Encore
Runtime: 170mins At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole, events become curiouser and curiouser…As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design. Screening Sunday 28 March, 2.00pm
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RB&O: Götterdämmerung (Opera) – Encore
Dir: Barrie Kosky Runtime: 350mins Language: German An earth in ruin. The twilight of the Gods. Deception leads to treachery, then devastation, when Siegfried is tricked into betraying Brünnhilde. Learning the truth of her beloved’s innocence, Brünnhilde at last returns the ring to the Rhinemaidens, before ordering that Valhalla be swallowed in flames. For the long-awaited finale of Wagner’s epic saga, director Barrie Kosky situates the rich apocalyptic drama in a contemporary world of dream-like turmoil. Antonio Pappano, Conductor Laureate of The Royal Opera, returns to take on the impassioned, otherworldly music – including Siegfried’s transporting Funeral March and Brünnhilde’s electrifying Immolation Scene. The brilliant cast is led by Elisabet Strid, Andreas Schager and Mika Kares, who together with the full forces of the Orchestra of the Royal Opera House and the Royal Opera Chorus bring opera’s greatest journey to its shattering end. Screening Sunday 7 February, 2.00pm
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RB&O: Manon (Ballet) – Encore
Runtime: 190mins In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting... Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs. Screening Sunday 1 November, 2.00pm
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RB&O: Romeo & Juliet (Ballet) – Encore
Runtime: 170mins Shakespeare’s timeless tale of star-crossed lovers is transformed in Kenneth MacMillan’s mesmerising ballet. The flourishing of young love is just as present in Romeo and Juliet's meeting on the balcony as in their final moments when they desperately cling to life in the tomb. Prokofiev’s evocative music sets the scene for stolen romantic moments and deadly feuds and sweeps the ballet towards its inevitable and tragic conclusion. Screening Sunday 30 May, 2.00pm
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NT Live: The Misanthrope (15)
Dir. Indhu Rubasingham Runtime: 120min Award-winner Sandra Oh (Killing Eve) plays the title role in this razor-sharp reimagining of Molière’s classic dark comedy. Telling the truth isn’t always that simple. Alice, a brilliant novelist, despises the carefully constructed lies of modern society. But the more she challenges those around her, the fiercer the backlash becomes. Soon, she must confront the price of speaking her truth in a world that would rather silence her. Filmed live on stage at the National Theatre, Indhu Rubasingham directs Martin Crimp’s (Cyrano de Bergerac) highly anticipated play. Screening Tuesday 22 September, 7.00pm Saturday 26 September, 7.00pm Wednesday 30 September, 2.00pm
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RB&O: Swan Lake (Ballet) – Encore
Runtime: 205mins Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. But freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans. Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness. Screening: Sunday 25 April, 2.00pm
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RB&O: The Nutcracker (Ballet) – Encore
Runtime: 170mins At a cosy Christmas party, young Clara meets the mysterious magician Drosselmeyer, who gives her a nutcracker doll. When the guests have departed and the house is asleep, Clara sneaks downstairs in search of the doll. Instead, she finds Drosselmeyer, who whisks her away on a journey into a whole world of enchantment: fantastical landscapes of flurried snow and glittering confection where toys come alive and the magic never stops. Peter Wright’s production of this festive family favourite sparkles to the wondrous swell of Tchaikovsky’s orchestral score, alongside the glow and grandeur of Julia Trevelyan Oman’s period designs. Screening Sunday 13 December, 2.00pm
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RB&O Tosca (Opera) – Encore
Runtime: 195mins Language: Italian Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates, in order to save the man she loves. Can she find a way out? Oliver Mears’s acclaimed production returns, setting Puccini’s operatic thriller in a contemporary, war-torn Rome. Daniel Oren conducts Aleksandra Kurzak, who returns to the title role, joined by Saimir Pirgu as Cavaradossi and Christopher Maltman as Baron Scarpia. Screening Sunday 9 May, 2.00pm
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Othello (PG)
Dir. Tom Morris (2026) Runtime: 165 mins Shakespeare’s Othello rages to life like never before in a new production starring David Harewood, Toby Jones, Caitlin FitzGerald, Vinette Robinson and Luke Treadaway. Directed by Tony Award-winner Tom Morris with music by PJ Harvey, this epic story of manipulation, jealousy and toxic masculinity explores the darker side of power, rage and desire. Filmed live at the Theatre Royal Haymarket in London especially for the big screen. Screenings Saturday 21 March, 6.20pm Wednesday 25 March, 2.00pm
