2025
Runtime: 123 mins

DOWNTON ABBEY: THE GRAND FINALE, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. As the beloved cast of characters navigates how to lead Downton Abbey into the future, they must embrace change and welcome a new chapter.

Screening
Friday 3 October, 10.30am
Friday 3 October, 7.00pm
Saturday 4 October, 2.00pm
Tuesday 7 October, 10.30am (Silver Screenings)
Tuesday 7 October, 4.30pm
Wednesday 8 October, 2.00pm
Saturday 11 October, 3.30pm + Optional afternoon tea [2pm]
Sunday 12 October, 2.00pm
Wednesday 15 October, 10.30am (Silver Screenings)

Dir: Ethan Coen, 2025
Run time: 89 mins

Coen’s new film continues his lesbian B-movie trilogy after Drive-Away Dolls, centring on two women on a road trip.

Screenings:
Friday 3 October, 2.00pm
Saturday 4 October, 10.30am
Tuesday 7 October, 2.00pm
Wednesday 8 October, 10.30am (Silver Screenings)

Dir: Rob Reiner, 2025
Run time: 83 mins

SPINAL TAP is back! After a 15-year hiatus, David St. Hubbins, Nigel Tufnel, and Derek Smalls are drawn back together for one last concert. Documentary filmmaker Marty DiBergi returns to explore what the band members have been up to and immortalize the concert reunion. The film blends the same musical mayhem and satire that made the original a cult classic and features some fantastic rock cameos in the process. Will this concert be their triumphant return, or just another Stonehenge-sized catastrophe?

Screenings:
Friday 10 October, 4.30pm
Tuesday 14 October, 4.30pm

Dir: Daniel Minahan, 2025
Run time: 119 mins

Muriel and her husband Lee are about to begin a bright new life, which is upended by the arrival of Lee’s brother. Muriel embarks on a secret life, gambling on racehorses and discovering a love she never thought possible.

Screenings:
Friday 10 October, 2.00pm
Friday 10 October, 7.00pm
Saturday 11 October, 10.20am
Tuesday 14 October, 10.30am (Silver Screenings)
Wednesday 15 October, 2.00pm

Dir: Eva Libertad, 2025
Run time: 100 mins

Angela’s deafness raises concerns during her pregnancy regarding connecting with her daughter. Post-delivery, partner Héctor supports her as she learns to mother in a society lacking adequate accommodations for the hearing-impaired.

Screenings:
Friday 10 October, 10.30am (Milk & Baby)
Saturday 11 October, 1.00pm
Sunday 12 October, 10.30am (Relaxed Viewing)
Tuesday 14 October, 2.00pm
Tuesday 14 October,

From 2pm

Step back in time for an elegant afternoon tea inspired by Downton Abbey. Enjoy classic finger sandwiches, warm scones with clotted cream, and delicate pastries, all served alongside a warming loose leaf tea.

Pair it with the film for a delightfully Downton Abbey full afternoon.*

*Film tickets must be purchased separately from the Afternoon Tea.

Dir. Rob Reiner, 2025
Runtime: 180 mins

An epic double feature, turned up to 11! See This is Spinal Tap and the latest film, Spinal Tap II: The End Continues in one night!…

The features will have a 15 minute break between films.

Screening
Saturday 11 October, 6pm

Dir: Kogonada, 2025
Runtime: 109 mins

What if you could open a doorway and walk through it to re-live a defining moment from your past? Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.

Screening
Friday 17 October, 7.00pm
Sunday 19 October, 2.00pm
Tuesday 21 October, 4.30pm
Wednesday 22 October, 11.00am

Dir: Neo Sora, 2025
Runtime: 113 mins

Set in a near-future Tokyo where the threat of a catastrophic earthquake pervades daily life, two rabble-rousing best friends are about to graduate high school. One night, they pull a consequential prank on their Principal, which leads to a surveillance system being installed in their school.

Screening
Friday 17 October, 2.00pm
Sunday 19 October, 11.00am
Tuesday 21 October, 11.00am (Silver Screenings)
Tuesday 21 October, 7.00pm

Dir: Jan-Ole Gerster, 2025
Runtime: 120 mins

Tom, a tennis pro washed up on a holiday island. Now he’s the coach at a hotel resort, hitting countless balls over the net to tourists. When he crosses paths with a particular tourist family, it seems he’s found an escape of his own.

Screening
Friday 17 October, 11.00am (Milk & Baby)
Friday 17 October, 4.30pm
Saturday 18 October, 7.00pm
Tuesday 21 October, 2.00pm

Dir: Nadia Fall, 2025
Runtime: 93 mins

Teenage best friends Doe and Muna are heading off on what seems like the trip of a lifetime. Quiet, observant Doe hasn’t travelled since arriving in the UK as a Somali refugee aged three.

Directed by Young Vic’s Nadia Fall in her debut feature, Brides is a bold, emotionally charged coming – of – age drama exploring the paths young British Mus lim girls navigate in search of identity and belonging. Told with compassion and urgency, it’s a gripping story of loyalty, lost innocence, and the quiet desperation that drives radical choices.

Screening
Friday 24 October, 1.00pm
Saturday 25 October, 4.30pm
Tuesday 28 October, 11.00am (Silver Screenings)

Dir: Paul Thomas Anderson
Runtime: 162 mins

When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own’s daughter.

Screening
Friday 24 October, 3.00pm
Friday 24 October, 6.30pm
Saturday 25 October, 1.00pm
Tuesday 28 October, 6.30pm
Wednesday 29 October, 10.30am
Thursday 30 October, 2.00pm
Friday 31 October, 3.50pm
Saturday 1 November, 3.50pm
Tuesday 4 November, 3.50pm

Dir: Dominic Cooke, 2025
Runtime: 120 mins

Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.

Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?

Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, GOOD), exploring the clash between morality and independence, traditions and progress.

Screening
Saturday 25 October, 7pm
Wednesday 29 October, 2pm

Dir: Embeth Davidtz, 2025
Runtime: 99 mins

Based on Alexandra Fuller’s memoir of the same name, DON’T LET’S GO TO THE DOGS TONIGHT captures the childhood of 7-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for independence in 1980. Growing up in the midst of this long running war, Bobo internalises both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her seven-year-old gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.

Showing 
Friday 31 October, 11.00am (Milk & Baby)
Saturday 1 November, 1.30pm
Tuesday 4 November, 1.30pm
Wednesday 5 November, 11.00am (Silver Screenings)

Dir: Tobe Hooper, 1974
Runtime: 80 mins

En route to visit their grandfather’s grave (which has apparently been ritualistically desecrated), five teenagers drive past a slaughterhouse, pick up (and quickly drop) a sinister hitch-hiker, eat some delicious home-cured meat at a roadside gas station, before ending up at the old family home… where they’re plunged into a never-ending nightmare as they meet a family of cannibals who more than make up in power tools what they lack in social skills…

Screening
Friday 31 October, 7.00pm

Dir: Lee Unkrich and Adrian Molina
Runtime: 105 mins

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.

Screening
Friday 31 October, 1.30pm
Saturday 1 November, 10.30am
Sunday 2 November, 10.30 am (Relaxed Viewing)

Dir: Kathryn Bigelow, 2025
Runtime: 112 mins

When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.

Screening
Saturday 1 November, 7.00pm
Sunday 2 November, 2.00pm
Tuesday 4 November, 11.00am (Silver Screenings)
Wednesday 5 November, 2.00pm

Choreography. Frederick Ashton, 2025

210 mins

Lise, the only daughter of Widow Simone, is in love with the young farmer Colas, but her mother has far more ambitious plans for her. Simone hopes to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother’s plans. 65 years after its premiere, The Royal Ballet presents Frederick Ashton’s La Fille mal gardée.

Screening
Sunday 9 November, 2pm

Five years in production, this is the most extensive film ever made about one of the greatest artists of all time – Caravaggio. Featuring masterpiece after masterpiece and with first-hand testimony from the artist himself on the eve of his mysterious death, this beautiful new film reveals Caravaggio as never before.

Screening 
Tuesday 11 November, 7pm

Dir: Finn den Hertog, 2025
Runtime: 100 mins

Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) starring in the critically acclaimed and subversively funny new play by David Ireland.

Screening
Saturday 29 November, 7pm
Wednesday 3 December, 2pm

Choreography. Frederick Ashton,
195 mins

This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.

Screening
Sunday 30 November, 2pm

Dir. Richard Eyre

240 mins

As intimate as it is sumptuous, La traviata features some of opera’s most famous melodies, and is a star vehicle for its leading soprano role sung by Ermonela Jaho. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.

Screening
Sunday 18 January, 2pm

Dir: Robert Hastie
Runtime: 180 mins

Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy.

Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.

National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

Screening
Saturday 24 January, 7pm
Wednesday 28 January, 2pm

Runtime: 72 mins

Silents Synced pairs classic silent movies with epic rock music to bring audiences a unique big screen experience. Buster Keaton’s 1924 comedy classic is reimagined with R.E.M. ‘s alt-rock masterpieces Monster (1994) and New Adventures in Hi-Fi (1996). In this sublime comedy teetering between reality and illusion, Buster Keaton stars as a film projectionist who dreams of becoming a detective. He uses his limited skills when he is framed by a rival for stealing his girlfriend’s father’s pocket watch. Keaton reportedly broke his neck performing one of the many dangerous practical stunts in the film. Whether you’re a movie lover or a rock music fan this is an experience you won’t want to miss!!

Screening

Sunday 8 February 2026

Choreography. Wayne McGregor, 2026
210 mins

Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality.

Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.

Screening
Sunday 15 February, 2pm

Choreography. Peter Wright,
210 mins

The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.
Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory.

Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

Screening
Sunday 8 March, 2pm

The incredible story of Britain’s greatest landscape artists and their fierce rivalry, made in close collaboration with Tate Britain to celebrate the 250th anniversary of their births.

Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in February so that you can enjoy both together. Don’t miss this opportunity to see these greats side-by-side, as they so often were in life, on the big screen for the first time.

Screening
Tuesday 10 March, 7pm

Dir. Barrie Kosky
330 mins

Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey. Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber…

Screening
Sunday 5 April, 2pm

Dir. David McVicar, 2026
210 mins

Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it.

Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.

Screening
Sunday 26 April, 2pm

Frida Kahlo is a phenomenon. She is arguably the world’s favourite female artist – beloved by young and old. Exhibition on Screen’s award-winning film – first released during covid to a restricted audience – is back by popular demand with an exciting new addition from the blockbuster transatlantic exhibition from Tate Britain and MFA Houston ‘Frida Kahlo: the Making of an Icon’. Back in the cinemas in May 2026, one month before the Tate exhibition opens, allowing audiences to watch both the film and see the show.

Screening 
Tuesday 19 May, 7pm